Gioco degli Arcani Maggiori by A Coppola, Valeria Menozzi, Brigantia Publishing. 2015. Valeria Menozzi was born in Modena in 1974. Graduated in Oriental History, and antiquarian in the family workshop, since childhood she has been interested in religions, mythologies, sacred texts and folk tales. In high school she met the Tarot, which she studied and uses as a tool for psychological introspection and knowledge of the Self. 22 cards Majors only. 140x95mm.
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Gioco Geografico dell'Europa Il Meneghello, Milan. 1985. Limited edition, long out of print. No 1969 of 2000. 78 cards 119x65mm.
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2012 Tarot of the Ascension by Michele Penco, Pierluca Zizzi. Pietro Alligo. Lo Scarabeo, Turin. 2010 78 cards 120x166mm.
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Muti Arcani by various artists. Giuseppe Iavicoli, Alessandro Icardi, Onions Edizioni. 2012. Set of tarot images created by 23 artists for a series of exhibitions in Italy. The deck of cards was created in association with these exhibitions. 78 cards 150x100mm. Limited edition of 250.
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New Path Tarot by Luigina Monteu-Gina, 2010. Digitally modified oil paintings. 22 cards Majors only deck. In cloth bag. 128x85mm. Very rare.
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Les Tarots du Chat by Evelyne Nicod, Edizioni Gatteria, Milano. 1991. Evelyne Nicod(1942-) was born in France. She began her studies, first at the Fine Art school in Besançon (France), then in Vevey (Switzerland) and spent a year at the Saint Martin School of Art in London. Later, she married in Italy and started working as a professional painter in Milano. It was there that she became interested in etching and then worked primarily with this technique. She created one of the earliest and best known of the cat themed tarots. Artwork created in 1985 and published then by Il Meneghello under the title 'I Gatti Originali di Evelyne Nicod'. This is a later edition by Edizioni Gatteria. 22 cards Majors only deck. 120x80mm. Limited edition of 1000 of which this is number 890.
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Tarocchi del Manzoni by Piera Grandesso, Angelo Fedegari, Massimo Vilardo. Edizioni Virgilio, Milan. 1985. Collaborators: Manuela Mantegazza, Sabrina Brunelli, Fausto Polli.This tarot was commissioned in 1985 to celebrate the two hundredth anniversary of birth of Milanese writer and poet, Alessandro Manzoni (1785-1873. The artwork is appropriately in the style of nineteenth century Milan. Supplied in a large presentation box with a book. No 241 of the edition of 500. Heavy item to post. 78 cards 171x90mm.
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Tarocchi di Franco Gentilini by Franco Gentilini, Jolena Baldini, Albra, Turin. 1975. Franco Gentilini (1909 -1981)is considered as one of the greatest Italian figurative artists of the 20th century. He held his first solo show at the Galleria di Roma with works in an archaic style inspired by pre-Renaissance Italian art. He also established himself as a fresco painter. There was considerable demand for his work among private Italian collectors after World War II, not least because of his participation in numerous exhibitions. 79 cards 117x76mm. Limited edition ot 500 copies. In blue velvet covered presentation box. Fine condition. Heavy item.
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Tarocchi Demetra Grafiche Busti, Varese. 2005. Tarot produced by the Demetra publishing company in the town of Busti in Varese, Italy. Modern reworking of the Tarot of Marseilles. The backs have a strange numerological system. 22 cards. Majors only. 105x70mm. Rare.
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Tarocchi Metafisici Self-Published by Emilio Ortu Lieto, 2006. The designs for this tarot feature artists' mannikins for the human forms. Emilio Ortu Lieto was inspired by some paintings of Giorgio de Chirico and the group of Metaphysical painters that predated and influenced surrealism. The idea for this deck was suggested by Andrea Vietti. Number 17 of the edition of 30, signed by Emilio Ortu Lieto. 22 cards. Majors only. 118x80mm.
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Tarocchi di Verona by Emilia Rizzi. Nobel S.R.L. 1986. 22 cards. Majors only. 118x80mm.
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Diavolo & l'AcquaSanta Tarocchi Fantastici Archaeological Museum, Sarsinate, 2008. As part of the celebrations of the Millennium of the Cathedral Basilica in 2008, the National Committee for the Millennium of the Cathedral, in collaboration with the Municipality of Sarsina, promoted an exhibition "Diavolo & l'AcquaSanta - Tarot Fantastic" (The Devil and Holy Water), curated by Antonio Paolucci, Director of the Vatican Museums, and architect Marisa Zattini. Many artists contributed a card design, and these were allocated a card by ballot : - Adriano Bimbi (Fool), Stefano Mazzotti (Magician), Richard Hess (High Priestess), Andrea Guastavino (Empress), Enrico Lombardi (Emperor), Moreno Bondi (Pope), Luke Piovaccari (Love), Francis Bombard (Chariot), Silvano D'Ambrosio (Justice) Nicholas Samorì (Hermit), Black (aka Alexander Neretti) (Fortune), Brutus Tomato (Strength), Ana Hill (Hanged Man), Mark Kostabi (Death), Pablo Echaurren (Temperance), Ugo Nespolo (Devil), Maximum Pulini (Tower), Aldo Rontini (Star), Daniele Masini (Moon), Alberto Mingotti (Sun), Gesine Arps (Angel), Paola Campidelli (World). 24 cards. Majors only deck. 140x70mm. Two extra cards 000 Il Vero Arcana, and 00 I Tarocchi di Sarsina.
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Tarot and Collage by Maria Carmen Franca, Self-published, 2013. 22 cards Majors only, 134x95mm. Number 1 of an edition of 10, signed by the artist.
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Tarocchi di Guilietta e Romeo - Shakespeare Tarot by Luigi Scapini, Dal Negro Spa, Treviso. 2002. 78 cards 150x85mm.
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Tarocchi Massimiliano Frezzato (Tarrochio) by Massimiliano Frezzato, self-published. 2014. Based on the Pinocchio stories. Fine art tarot. Massimiliano Frezzato is an Italian comic book author perhaps best known for his 'I custodi del Maser' (Keepers of the Maser) series. 22 large cards. Majors only deck. 170x120mm.
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Tarocco Egiziano Bietta Italy. 1983. Colored Italian version of the Tarot Egipcios, attributed to Dr Moorne, this deck features Etteilla keywords top and bottom (reversed), divinatory art to the right, the left panel contains the corresponding Hebrew letter (Continental school attributions) on majors and corresponding Tarot and playing cards on the minors. 78 cards 120x83mm.
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Tarocchino Bolognese di G.M. Mitelli by Giuseppe Maria Mitelli, Edizioni del Solleone, 1986. Giuseppe Maria Mitelli (1634 -1718) created many emblematic engravings. Around 1660-65 he created a deck of 62 tarot cards, the Tarocchino Bolognese, for the noble family of Bentivoglio in Bologna. This was a cut down format leaving out cards 2-5 of each suit, used in certain card games of the time. The imagery was original, based on classical emblems, though within the established tarot forms. 62 cards 127x65mm.
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Tarocchi dei Visconti Graphica Gutenberg, 1974. Reproduction edition of the set of 26 cards from the Viscont-Sforza Tarocchi in l'Accademia Carrara in Bergamo. These were split, early on, from the rest of the deck, 35 cards of which are in the Pierpont Morgan Library in New York and the remaining 13 are in private collections. 26 cards 177x90mm.
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Tarocchi Arcani Maggiori di Stefano Degl'Innocenti by Stefano Degl'Innocenti, Self-Published. 2006. Freely painted in watercolours using large brushes to create thin washes of colour. The Death card is an uncoloured pen drawing. 22 cards Majors only deck. 150x100mm.
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Tarocchi di Renato Guttoso by Renato Guttoso, Moda 90 (Trieste), 1983. Renato Guttuso (1911-1987) was a well known Italian painter who also designed sets and costumes for the theatre and created illustrations for books. He was a fierce anti-Fascist member of the Communist Party (PCI) and became an active participant in the partisan struggle from 1943. He also opposed the power of the Mafia. His artwork often reflected his political concerns, and his tarot images incorporate satire, social and political commentary. 78 cards 120x80mm. Rare early Italian tarot.
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Tarocco Indovino by Sergio Ruffolo, Dal Negro SpA, Treviso. 1979. Sergio Ruffolo ( 1916-1989 ) was an Italian designer, painter and sculptor. He had a considerable influence on Italian graphics. He was an Italian partisan and socialist. In 1982 Mantua hosted a retrospective of his artistic work under the patronage of the President of the Republic Sandro Pertini. In 1997 an extensive exhibition was organized by his hometown, entitled "Sergio Ruffolo. Il sogno dei segni". He created a number of innovative designs for playing cards. The Minors feature suits of hearts, spades, diamonds, clubs. The emblems on the Minors do not relate to the Rider Waite style. 78 cards 106x62mm. In the brown plastic box with the swing lid.
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Tarocco Messicano Taotl by Alfonso Del Bello, Masenghini, Bergamo. 72 cards 100x60mm.
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Tarocchi di Bacchus by Luigi and Giulia Scapini, Dal Negro. 2005. 78 cards 150x85mm.
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Tarocchi della Salute by Eneida Duarte Gaspar, Brazil, Pallas, 2002. Possibly a promotional item for the magazine Starbene ('Fitness'). a weekly magazine of good health ('Salute'). The backs of the cards also advertise a telephone horoscope line which charges a fee in Lira, so this tarot must predate the introduction of the Euro in 2002. The artist has used a rather acid palette with a dominant Chrome Yellow. The imagery is classical, drawing on 16th century Italian book illustrations. 22 cards Majors only deck. 118x73mm. Cards are worn with some minor creasing. Rare item.
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Born in the USSR by Alexander Daniloff, Self-Published. 2014. Inspired by Soviet propaganda posters of the '20s and '30s which expressed the human enthusiasm for the construction of a better future. Alexander Daniloff uses this art style in an ironic way. 22 cards Majors only deck. 113x72mm. No 33 of the edition of 500, signed by the artist.
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Tarocchi Zen di Vera by Ma Deva Padma, Vera magazine. 1997. Italian version of the Majors from the Osho Zen Tarot, included as a gift in Vera magazine. Osho was a later assumed name for the New Age guru Rajneesh. There are 24 cards and these do not all correspond to the traditional tarot forms, but some are immediately recognisable - Gli Amanti, La Solitudine, Il Mutamento, La Transformazione, and so on. 24 cards Majors only deck. 88x63mm.
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Tarocchi del Palio di Siena by Maruska P. Rossi, Arrigo Pecchioli, Editalia. 1988. Based on the ancient Palio di Sienna, this tarot shows the heraldic animals of the various regions participating in the races. Arrigo Pecchioli was behind the creation of I Tarocchi del Duomo di Siena, and I Tarocchi di Paracelso. 85 cards. Five extra heraldic cards. 136x78mm.
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Tarocchi by Starline These cards seem to have been issued by a telephone based fortune telling company. Each card bears two numbers, unrelated to tarot, which appear to have been used by the fortune telling system. Computer graphics modified imagery. by Erika Gatto, Starline. Difficult to find. 22 cards Majors only deck. 149x78mm.
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Tarocchi Napoletani Muoio Carte, 2008. The Majors are closely modelled on the Rider-Waite, but in Marseilles order. They have a band with the title and some keywords. The Suits are in a more traditional playing card style. 78 cards. 106x64mm.
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Tarocchi Garnier Belle Color by Antonella Castelli, Sinestesia Advertising, Garnier. 2006. Issued during a promotion of Garnier's 'Belle Color' hair products. The artwork is by the major tarot artist Antonella Castelli. 22 cards Majors only deck. 108x59mm.
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Tarocchi Italiani Politici by Francis G. Allenby, Antonio Nitti. Muoio. 2008. Beppe Grillo, Romano Prodi, the Pope, Berlusconi, among others are delightfully caracatured. 22 cards Majors only deck. 116x71mm.
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Tuffo nel Mistero by Luigi Scapini, Dal Negro. Reduced set of 40 minors, one to five and the four Courts only in each of the suits. 62 cards 113x60mm.
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Carte del Cuore - tre colori per tre verita Anna Bella - Rizzoli. 1987. Issued with Anna Number 34 August 1987. Two sets of cards - 12 larger format cards each for one of the twelve astrological houses and 36 smaller format cards. These smaller format cards are in fact 12 designs repeated three times. The instruction book indicates that these are for the Past, Present and Future. Each card bears a coloured dot (small format) or cube (large format) either red , yellow or blue, thus the subtitle of the deck - three colours for three truths. The artwork is inspired by Rene Magritte with some of the cards bearing images of his famous bowler hatted and suited man, an apple balloon and various reversals. Le spine quoted directly from Magritte's 'Le Coup au Coeur '(The Blow to the Heart) 1952. A few of the images relate to traditional tarot - il Carro, il Sole, la Ruota, la Folla, il Monaco (Hermit). 48 cards 90x61mm. 12 larger cards are 110 by 61mm.
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Trionfi d'Amore by Juan Ballesta, Baci. 1975. Gift issued with the magazine Baci. Some of the images appear to be inspired by the Fergus Hall James Bond 007 designs which were first published in 1974 - especially the Hermit, the Star and the World. Almost every card bears a small sun, moon and a star - the Sun being the exception. 22 cards Majors only deck. 105x80mm. Very rare.
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Tarocchi Cubani by Elana Locatelli, Valentina Minoglio. 1990. Gift tarot with the magazine Vera (Issue 317 May 1990), which also issued 'I Tarocchi Polinesiani della Gioia' and 'Le sibille della luna'. The designs were inspired by the Santeria religion as practiced in Cuba. They do not follow the established tarot images, but reflect instead the essence of one of the Santeria deities. Thus cards are named 1 - Elegua, 2 - Jemaja, 3 - Obatala, 4 - Orunmila, 5 - Osain, and so on. 22 cards Majors only deck. 89x58mm.
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Aperol Tarot - Tarocchi Mazzo Egizio Barbieri Aperol, 1973. Incomplete minor arcana consisting of ace, seven, eight, nine, queen and king of each suit. Aperol is an Italian aperitif originally produced by the Barbieri company, based in Padua. This was issued as a promotional item. 46 cards 108x70mm.
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Tarocchi dell'amore by Sylvia Gainsford, Astrella. 1997. Promotional gift. Version of the Tarot of the Old Path by Sylvia Gainsford, originally published by US Games in 1990. 22 cards Major only deck. 110x60mm.
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IJJ Tarot (Nunzio Orlando Editore) Nunzio Orlando Editore 78 cards 120x70mm.
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Tarocchi di Hermann Haindl by Hermann Haindl. Italian edition. Haindl painted these on large canvasses. To begin with he placed these on the floor and dripped and smeared paint on them to create the background tones and textures. He then drew in the detailed forms in black outline, sometimes scratching back the first paint layer to the white ground. He then worked over the canvas applying paint with small brushes. In places he draws on the Crowley/Freida Harris designs. The courts of the Wands are associated with Hinduism, Cups to Celtic and Nordic culture, Swords to Ancient Egypt and Stones to Native American Indian mythology. 78 cards 129x71mm.
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Tarocchi Polinesiani della Gioia by Marina Migliorati, Lilu Morgan. Vera magazine. 1990. Gift tarot with the magazine Vera (Issue 124), which also issued 'I tarocchi cubani' and 'Le sibille della luna'. Five cards are said to be the Major Arcana and the other seventeen are the Minors. The backs on the Majors differ slightly from the Minors. Although there are 22 cards there is little obvious connection to the traditional tarot images. Marina Migliorati has produced other sets of cards and is especially drawn to work with shells. 22 cards Majors only deck. 80x50mm.
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Tarocchi I Colori e i Sogni by Maria Carmen Franca, self-published. 2010. 78 cards 171x86mm. No 1 of an edition of 25.
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Tarocchi Massimo Biondi by Massimo Biondi, self-published. 2012. Issued in association with the artist's exhibition 'Manierando Tarot' in the Palazzo Medici Riccardi Florence 30 November 2012 - January 2, 2013. Massimo Biondi's surrealist works mostly seem to feature the human hand. 22 cards Majors only deck. 140x84mm.
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Tarocchi di Fiabesque by Sarah Fiori and Simone Malizia, Luigi Criscuolo. MBVision. 2012. This tarot was published by MBVision in collaboration with the International School of Comics in Florence. Fiabesque is a cultural event that takes place in the medieval village of Peccioli at Christmas time. The event is organized around the universal theme of storytelling. Street artists, designers, musicians, dancers, writers and creative people of all kinds contribute to the construction of a unique event, which has its foundations on the pillars of fantasy. This tarot was created as part of this festival in December 2011 and January 2012. 22 cards Majors only deck 145x80mm.
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Enoil Gavat Tarot by Giorgio Tavaglione, 1983. 'Enoil Gavat' is, of course, 'Tavaglione' written backwards. Each card has an array of correspondences set in the ornate frame around each image. 78 cards 160x81mm.
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55 Tarocchi di Alan by Ivana Garibaldi and Ermindo Gabbrielli, Mauro Boldi (Alan), Giuseppe Bonazzoli. Modiano. 1983. 22 Major Arcana all renamed, but recognisably tarot. Minors have swords, batons, cups with eight cards, and coins with nine. The Milanese astrologer Mauro Boldi here distilled the elements of Tarot into a smaller set of cards, possibly to allow use in card games. The cards are double ended as with playing cards and Jeu de Tarot. 55 cards 107x63mm.
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Tarocchi Guido Bolzani by Guido Bolanzi, Archinstudio. Europrint Lomazzo. 1976. Titles in both Italian and French. Guido Bolzani with Gian-Piero Bolzani designed a number of sets of playing cards through his company Archinstudio. 78 cards 118x80mm.
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Marco Iannaccone Tarot by Marco Iannaccone, Self-published. 2010. Marco Iannaccone is an art photographer in Naples. The deck incorporates black and white, coloured and some with areas in colour. A few images are collaged, but for the most part these are posed photographs. The Wheel of Fortune shows an execution scene with a revolver the twelve chambers of which are empty except for one with a bullet. 22 cards Majors only deck. 131x82mm.
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Tarocchi Del Calderone Magico by Maria Giusi Ricotti, Micaela Balice, Nelly Morino, You Can Print Self Publishing. 2015. I Tarocchi del Calderone Magico (Magical Cauldron) is a deck of 78 cards designed by Italian graphic designer Maria Giusi Ricotti using a multiple level photo collage technique. The deck is the result of her careful observation and imagination and offers a vision of the Arcana connected to the dimension of the sacred. Stripped of all the stiff iconography of traditional tarots, these tarot cards lead us to reflect, by means of a world of colours and suggestions, on the more significant life themes and the evolutionary path that pervades them. The ideas of neo-paganism are referred to by a Female Spiritual point of view. The Minor Arcana are part of a system based on the relationship between the four elements and the magic ancient card suits: Pentacles-Earth, Cups-Water, Swords-Air, Wands-Fire. The Tarot deck is accompanied by a colour book written in Italian that develops itself on three different levels of language - images, poetry and symbolism: in this book Maria Giusi Ricotti's Tarot cards are accompanied by poems written by poetess Micaela Balice and by a descriptive text of their meanings, according to archetypal and evolutionary terms (no divination), by Astrologer and Tarot reader Nelly Morini. 78 cards 150x75mm.
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Antico Tarocco del Mulino Bianco Mulino Bianco, 1980. Mulino Bianco are a baker and confectionary outlet, part of the Barilla Food Company in Italy. This deck would appear to be a promotional item. This is a Wirth style deck. 78 cards 120x65mm. Box torn and damaged, but cards are in very good condition for a forty year old deck. One card is creased.
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Tarocco Marocchino by Michael Hobdell, Roland Berrill, 1975. This is the Royal Fez Moroccan Tarot, published bt U.S. Games, repacked for the Italian Market. The same cards but in a different box. Roland Berrill, the founder of the MENSA organization, came up with the idea of the Royal Fez tarot deck, based on a legend that tarot was a remnant of secret societies that once existed in Fez, Morocco. Sometime in the 1950s he hired artist Michael Hobdell to create the artwork which drew on the Rider-Waite imagery but to some extent locating it within a Moroccan context. Around 1970, the decks were published by Rigel Press, Ltd., and later, in the 1970s, U.S. Games and AG Mueller both published editions. The Majors are numbered but not titled while the Minors have no numbers or titles. 78 cards 120x70mm.
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Tarocchi di Carlo Pitera by Carlo Pitera, Paolo Aldo Rossi, Lucilla Congiu, Nova Scripta s.r.l., Genoa. 2005. The twenty-two Major Arcana of the Tarot paintings by the artist in 2004 Italian Carlo Pitera were issued in 2004 as a portfolio of prints signed by the artist. The original paintings were in oil on wood 100 x 175cm. He has participated in numerous important regional and national exhibitions achieving success and winning major awards. He was much influenced by Surrealism, and in later years turned to making an in-depth study of the Old Masters of the 16th and 17th centuries. The Minor were added though the suits are unnamed. 78 cards 131x78mm. Supplied in a printed tin box.
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Tarocchi perduti di Fausta Cilli by Fausta Cilli, Andrea Forte, Alia Uno, Rome. 1988. The Tarocchi Perduti consists of five decks by four separate artists. Andrea Forte believed she had recovered the "lost" structure of the tarot, and commissioned these four artists to create a tarot based on these ideas. This involved extending the arcana to 35 and introducing a number of male and female versions of The Lovers, the Magician, Hanged Man, Hermit and Fool. The essence of Andrea Forte's concept is perhaps to balance the male and female symbolism. 35 cards Majors only deck. 95x65mm.
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Tarocchi perduti di Rossana di Petro I by Rossana di Petro, Andrea Forte, Alia Uno, Rome. 1988. The Tarocchi Perduti consists of five decks by four separate artists. Andrea Forte believed she had recovered the "lost" structure of the tarot, and commissioned these four artists to create a tarot based on these ideas. This involved extending the arcana to 35 and introducing a number of male and female versions of The Lovers, the Magician, Hanged Man, Hermit and Fool. The essence of Andrea Forte's concept is perhaps to balance the male and female symbolism. This is the first tarot created by Rossana di Petro for this series. 35 cards Majors only deck. 95x65mm.
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Tarocchi perduti di Rossana di Petro II by Rossana di Petro, Andrea Forte, Alia Uno, Rome. 1988. The Tarocchi Perduti consists of five decks by four separate artists. Andrea Forte believed she had recovered the "lost" structure of the tarot, and commissioned these four artists to create a tarot based on these ideas. This involved extending the arcana to 35 and introducing a number of male and female versions of The Lovers, the Magician, Hanged Man, Hermit and Fool. The essence of Andrea Forte's concept is perhaps to balance the male and female symbolism. This is the second tarot created by Rossana di Petro for this series. 35 cards Majors only deck. 95x65mm.
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Tarocchi perduti di S. Sindici by S. Sindici, Andrea Forte, Alia Uno, Rome. 1988. 35 cards Majors only deck. 100x70mm.
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Le Nuove Minchiate Di Firenze by Costante Costantini, Edizioni Del Solleone Di Vito Arienti. 1981. Majors and minors plus Zodiac cards, Early Italian deck, very rare. In a strong plastic box, with dice and counters. 97 cards 90x60mm. Number 891 of the edition of 1500.
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Tarocchi Confidenze Confidenze - Impulse. 22 cards Majors only deck. 95x57mm.
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Tarocco Siciliano Modiano. This is a special deck for playing a tarocco game popular in Sicily. It has 64 cards :- The suits of Swords, Clubs, and Cups have 10 cards: King, Queen, Knight, Knave, 10, 9, 8, 7, 6, 5; While Discs has 11 cards : King, Queen, Knight, Knave, 10, 9, 8, 7, 6, 5, 4. The 22 trumps run from 1 to 20 with unnumbered Fool and Poor Man (Miseria). 64 cards 88x51mm.
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Milleidee Tarocchi Milleidee Magaziine. This seems to be derived from the Dotti tarot of 1845 but with the images reversed and the colours slightly different. 22 cards Majors only 106x56mm.
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Tarocchi di Oswald Wirth Viacard by Alessandro Cecchini (Ed.), Editzioni Mediterranee. Autostrade Viacard. 2001. Payment cards with reproductions from Oswald Wirth Tarot. Viacard is the motorway toll payment system that uses a magnetic card. They are often issued with series of images of various artworks. Unique. 22 cards Majors only deck. 85x54mm.
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Marco Benedetti Tarot by Marco Benedetti, Self-Published. 2014. In 1994 Marco Benedetti created a set of tarot images. The major arcana were set on a background of gold leaf with silver leaf also applied to some of the images. These were not printed at the time, but in 2014 he issued these as the Marco Benedetti Tarot. He reduces each figure to a series of simple beautifully drawn curves colouring them sparely with block colour with no modelling. The figures have no facial features. This abstraction seems to heighten their archetypal nature. His designs reflect the Art Deco style. This is a full 78 card deck with non-emblematic pip cards and has a rather cool, detached yet archetypal set of images. 78 cards 120x79mm.
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